Director
Michel Drach
October 18, 1930 · Paris, France
Michel Drach begins at the time of the New Wave, but belongs to no current. He realizes romantic movies, very political films that scandal movies on very personal melancholy.
After studying painting at the Academy of Fine Arts, it is oriented towards the cinema by his cousin Jean-Pierre Melville, where he became the assistant. It begins with short films in a very personal invoice, which Soliloques the poor (1951) and Auditorium (1957) and then passes feature film is not buried on Sunday (1959) study on the existential loneliness of a "Black" in Paris, which earned him the Louis Delluc price announcement by the style of filming and production method, the New Wave.
Often works with
Marie-José Nat
6 titles together
Violins at the Ball, Elise, or Real Life, Replay
Jean-Louis Trintignant
3 titles together
Violins at the Ball, Diamond Safari, The Real Bargain
Nathalie Roussel
2 titles together
Violins at the Ball, Parlez-moi d'amour
Jean-Pierre Darras
2 titles together
Elise, or Real Life, Diamond Safari
Guy Bedos
2 titles together
Gramps Is a Great Guy!, Sauve-toi, Lola
Isabelle Mergault
2 titles together
Gramps Is a Great Guy!, Sauve-toi, Lola
Full filmography · 13
Gramps Is a Great Guy!
Director and Writer
1987
Sauve-toi, Lola
Writer and Director
1986
Guy de Maupassant
Writer and Director
1982
The Red Sweater
Director
1979
Replay
Director
1977
Parlez-moi d'amour
Director
1975
Violins at the Ball
as Michel and Director
1974
Elise, or Real Life
Director and Writer
1970
Diamond Safari
Director and Writer
1966
The Real Bargain
Director
1965
Amelie or The Time to Love
Director
1961
One Does Not Bury Sunday
Director and Writer
1960