

Director
Soissons, Aisne, France
Michel Auder’s films, which span in length from five minutes to multiple hours, are all edited from the thousands of hours of footage the artist has casually shot throughout his life. Early on, Auder made a habit of carrying portable video-recording equipment on a daily basis, and so amassed a biographical reel that frequently captured his fellow artists in the New York art scene, including such personalities as Cindy Sherman, Larry Rivers, and, most famously, Alice Neel. Auder did not consider his practice to be factually driven, however: “It was not in any way a documentary, not to be related as truth. This work reflects my own feelings.” Auder’s approach to filming was largely inspired by Andy Warhol’s screen tests, and the experimental films of exponents of the French New Wave like Jean-Luc Godard.
Fictional Art Film
as Director
1967
Director
Untitled (I Was Looking Back To See If You Were Looking Back At Me To See Me Looking Back At You)
Director
Narcolepsy
Director
Alice Neel Paints Margaret
Director
The Feature
cast and Director and Writer
Voyage to the Center of the Phone Lines
Director
Roman Variations
Director
Magnetic Notes, 1986-1987
Director
Brooding Angels
Director
Chasing the Dragon
Director and Writer
Coupla White Faggots Sitting Around Talking
Director