
Director
September 22, 1944 · Lancaster, Massachusetts
John Dorr (1944-1993), born in Massachusetts, first studied at Yale University (1962-1966), where he programmed the Film Society, created the Film Bulletin and completed a thesis on D.W. Griffith's last pictures. After moving to Los Angeles to study at UCLA (1966-1969), he shot his first shorts in 8mm and worked as a film critic for « Take One », « On Film », « Millimeter » or « The Hollywood Reporter », where he proved himself ruthless towards New Hollywood movies, hoping for another type of American cinema.
The 1970s were spent writing around a dozen screenplays (from 1971 to 1978 : a gay priest drama, a vampire romance, a two-screen revisionist western, a six-hour Griffith biopic...) which all remained unproduced. In one of his poems, Dorr judged the decade harshly : « The 70s Suck ». After a short stay in Massachusetts (1977-1978), Dorr returned to California. Then, using one his friends' consumer-level B&W video camera, he decided to shoot his first feature, no longer waiting for the traditional production route.
Luck, Trust & Ketchup: Robert Altman in Carver Country
Director
Season's Greetings
as John Dorr and Director
The Battle of the Bards
Director
Blonde Death
as Park Security Man
Approaching Omega
Director and Writer
Dorothy and Alan at Norma Place
as Benchley and Director and Writer
As the World Burns
as TV repairman
The Case of the Missing Consciousness
as Nick Malace and Director and Writer
Sudzall Does It All!
as Buzzy Composition and Director and Writer